Hold START on Monday: last weekend's songs go to Finished Songs (a changed one parks the version it
came from as z...), then each service PCO lists this week (weekend + Special Services / Morning
Worship...; First / Together Tuesday in Projects/FIRST TUESDAY) gets 'YYMMDD NA Project' built from
the newest weekend set: locators, tempo map and TEMPO clips, Waves Tune cues, songs from Finished
Songs (transposed Complex Pro when only another key exists), markers / guide / lighting cues on the
dedicated tracks, pads, routing and send A at 0 dB, audio copied in with an Ableton Project Info folder.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- remote-access/mac-keep-mounted.sh: a user LaunchAgent that keeps a share mounted (every minute and at
login; Keychain login; unmount + remount only when the share hangs), installed on NA ProP for
Chronicles' Location Assets
- PROP OUT says SHARE NOT MOUNTED instead of NOT IN <weekend> when the share is gone; its hold (and
auto-fix) starts the agent and waits for the share
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- After moving cues, the hold clicks File > Save Live Set in Live (System Events; osascript has
Accessibility on the Tracks Mac), only when the set open in Live is the one checked
- "Under the cue" now looks from 10 ms before to 25 ms after it: a cue on a hit whose stem starts
10-15 ms after the grid read as a quiet spot (Name Above All Names 737.1.1 was moved by mistake
and has been put back)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Detection in 2.5 ms steps; where a hit starts is halfway up its rise; each song's cues on solid hits
set its "on time"; a cue already on a solid hit is never named; "about a 16th" when it is
- Hold: moves the off cues onto their hit in the open set through a status panel command added to
AbletonOSC (tools/abletonosc), keeping each cue's end; the key asks for a save until the set is saved
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- LIGHT TIMING: every blinder flash / FX cue is timed against the Drums (Live) stem under it
(deactivated clips count) on the Tracks Mac; cues a strong hit is more than 25 ms away from are named
with song and bar
- Settings Overview: "Auto-fix on for testing" for 15 min to 2 h, outside the hours and over a pause;
the AUTO-FIX key says TESTING, and it goes back to the hours by itself
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- SONG KEYS: each song's PCO key against the set's locator, the pad under it and Finished Songs
- W TUNE: the Waves Tune clip starting each song is the PCO key (and sends that key's program)
- ROUTING / IN EARS: read live over AbletonOSC (then handed back to Companion); the hold, and
auto-fix in its hours, put stems back on the routing template (from 261025 NA Project) and
raise in-ear sends at -inf to 0 dB
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- prop_bundle_folder takes {date} (the plan's weekend, as the tracks folders): any bundle there counts
- readiness scripts for this Mac run here (NA ProP's Google Drive showed 261025 empty)
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- pages (NA 98 Locations / 99 Location, re-imported via PAGES_VERSION), keys, settings page, setup and
install messages, alerts, docs, the Apollo Beach kit; python3 -m settings.location and /location/...
addresses (the old names still answer for installed Macs)
- Apply reads the before settings from the file: an in-place edit skipped the watchdog restart
- SC: SUPERRACK (+SoundGrid) and X32 EDIT from SC FOH; FOH TRACKS and TRACKS LIGHTS MIDI links watched
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Muted, nothing fixes itself at all: no Spotify exception (while_muted is gone) and no any-hour
READY fix; holds still fix and the Sunday stream-audio failover still switches. The key reads
ALARMS OFF / AUTO-FIX OFF / TIL 12AM, and its note says both. The settings page's switch says the same.
The mute's end is worked out at the press and kept: a watchdog that was not running at 23:59 no
longer leaves the alarms muted until the next schedule change.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
With the weekend's set not on Tracks yet, every campus song looked out of order. The campuses now
pair with the home plan itself; a song the home set has no timecode for yet is matched but neither
faulted nor written, and the campuses are not looked at at all until the home set gives some timecode.
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
The TIMECODE key now reads each campus's plan for the same weekend, pairs its songs with North
Attleboro's by title in North Attleboro's order (a song out of order, or one NA does not play, is
left alone and said so), checks their LTC notes, and the hold writes the timecode into every
campus's plan. ready.ltc_campuses lists the campuses (name, two letters, PCO service type).
Co-Authored-By: Claude Fable 5.1 <noreply@anthropic.com>
- config.json is NA Ingest's live settings: the READY hours (Tue 14-22, Wed 9-19, Sun 5-14) and the
auto-fix hours (Tue 14-22, Wed 9-21, Sun 6:30-14) set on the settings page.
- Settings page: a draft carries what its page started from. A tab that loaded the settings before
they changed (an Apply elsewhere, a program update) now has only its own edits put on top of the
live settings; before, it saved its whole older copy and Apply quietly undid the newer values
(it took ready.prop_host out twice today).
- install.sh refuses (exit 4) to replace live settings that came from an Apply (their fingerprint is
a history entry's sha_after) unless --replace-config; --keep-config still updates code only.
- Tests pin their own auto-fix and READY hours, so the campus can change its own; the exit-timeout
test expects 310 s (the Tascam outlet power-cycle).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- For every item in the plan's ProPresenter playlist: the macros its slides fire (read on the
ProP Mac from Configuration/Macros and the .pro files), the RossTalk "CC page/row/col" each
macro sends to Companion, the Companion buttons that one presses in turn, down to Resolume's
/composition/columns/N/connect. Each such column must hold a clip on some layer (one whose
ignore-column-trigger is not On), and Resolume must be on the Service deck.
- COL N EMPTY / COL N MISSING name the column and the items that use it. The hold only puts
Resolume back on its deck; it never plays a clip. "Something is playing" is no longer checked.
- ready.prop_host replaces ready.led_clip.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- readiness.py looks every 2 minutes (never while a HyperDeck records) at this weekend's PCO plan
and what is in place for it: the Ableton set (songs, mix, routing, lighting cues), ProPresenter
(every PCO item, MC announcements, baptism names, timelines, backgrounds), the LTC note of every
song against the timecode the tracks play, the Band Lineup TV, Resolume's LED cross, and the
tracks and ProP bundles for the locations.
- READY key on the Status page (row 2, col 7; SPOTIFY now shows inside SHOW) opens page 24.
Amber until done, blinking red from Saturday noon; not part of ALL. Tap keys for BOH mix,
mics and stage reset every Monday.
- Holds fix what can be fixed: re-sync the lineup, put the cross back up, write LTC into PCO,
copy tracks to locations, look again. Hold READY fixes everything.
- Settings page: a READY page tab (live keys, drag to move, why each key is amber), and Apply
re-imports page 24.
- Auto-fix: "while_muted" fixes keep running with ALARMS muted (Spotify playlist).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
