START saves every song every week (old one parked z/zz), logs SAVED/PARKED on the key; SONG KEYS no longer warns ONLY <key>; install.sh and the location kit ship ableton_start.py (NA had the 10/22 copy)

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
2026-10-27 11:57:14 -04:00
parent caeee9179b
commit e9c2ef0b6c
7 changed files with 30 additions and 37 deletions
@@ -153,7 +153,7 @@ everything on the page at once.
 | FOH MIX | **NOT MIXED** (amber): every track of a song is still at 0 dB. **TO MASTER**: a stem goes to Master instead of out to the console | looks again |
 | LIGHTS | the `LIGHTING CUES` track has a clip under every song | looks again |
 | LIGHT TIMING | every blinder flash and FX cue (notes 30-39 on `LIGHTING CUES`: Blinder Flash 1-3, Blinder FX 1-5, named from `Ableton/LIGHTING CUES MIDI`) lands on the hit in the `Drums (Live)` stem under it, even when that clip is deactivated because the drummer plays live. Each cue's moment in the stem comes from the tempo map; the Tracks Mac listens around it (less than half a 16th note either way) for the strongest hit. **3 CUES OFF** (amber): a strong hit more than 25 ms before or after the cue while the cue itself sits on a quiet spot; the details say `JEHOVAH bar 329.2.1: Blinder Flash 2 is 37 ms before the hit` (bars as Live shows them, 4/4). Listened to once per saved set. | looks again (move the note in Live by hand: Live's control script cannot edit notes in the arrangement) |
-| SONG KEYS | every song is in the key PCO gives it: the set's locator for it (`3- JEHOVAH - B`), the pad clip under it on `AMBIENT PADS` (`B - WARM - CHURCHFRONT PADS`) and a `Finished Songs` / `Finished Custom Songs` folder (`JEHOVAH [B]`). Eb and D# are the same key. **JEHOVAH B NOT Db** (red): the locator is in another key. **JEHOVAH PAD D NOT B** (red): the wrong pad. **JEHOVAH ONLY Db** (amber): Finished Songs has the song, but not in this key (save the new version there). A song that is not in Finished Songs at all is only noted. | looks again |
+| SONG KEYS | every song is in the key PCO gives it: the set's locator for it (`3- JEHOVAH - B`), the pad clip under it on `AMBIENT PADS` (`B - WARM - CHURCHFRONT PADS`) and a `Finished Songs` / `Finished Custom Songs` folder (`JEHOVAH [B]`). Eb and D# are the same key. **JEHOVAH B NOT Db** (red): the locator is in another key. **JEHOVAH PAD D NOT B** (red): the wrong pad. Finished Songs having the song only in another key is fine (START transposes it). A song that is not in Finished Songs at all is only noted. | looks again |
 | W TUNE | the `WAVES TUNE` clip that starts each song (a clip from `Ableton/Waves Tune - midi Program Change`, sent to Waves Tune as a program change) is the song's PCO key; a minor song is fine on its relative major. **JEHOVAH TUNE Db** names the song; the details say which clip to put at which bar. **TUNE PGM**: a renamed clip that sends another key's program. | looks again (Live's control script cannot change a clip in the arrangement: swap the clip by hand) |
 | ROUTING | read **live** from Ableton (AbletonOSC, so tracks just dragged in count before the set is saved): every stem goes where `ready.routing` says (Piano, Keys, Organ → `Ext. Out 5/6 Keys`; AG, EG, Bass → `7/8 GTRS`; Drums, Perc, FX, Synth Bass → `9/10 PERC / FX`; BGVS, Choir, Vox FX → `11/12 VOX`). The table was taken from 261025 NA Project and is edited on the settings page; "EG 13" goes where every other EG goes. **PIANO TO MASTER** (red) names the stem; **NEW STEM BANJO** (amber): a stem name the table does not know. | puts every stem back where the table says (and IN EARS' sends to 0 dB). Runs by itself in the auto-fix hours. |
 | IN EARS | read live: no stem in a song group has its in-ear send (send A, to `A-IN EAR MIX`) at -inf, as songs dragged in from another set do. Levels someone set are left alone; `RESI TRACKS` and `MIDI GROUP` (`ready.ears_skip_groups`) are skipped. | sets those sends to 0 dB. Runs by itself in the auto-fix hours. |
@@ -194,9 +194,10 @@ other special service `Projects/NA/<date> NA <plan title> Project`.
 `ableton_start.py` then runs on the Tracks Mac (detached, at low priority), doing the workflow PDF's steps:
 1. **Last weekend's songs to Finished Songs.** Each song group of the newest weekend set goes to
   `Finished Songs/TITLE [KEY]` (key from its locator), with its arrangement markers, lighting cues and guide inside
-   the group and its audio copied in. A song that matches a saved version (any key, parked or not) is left alone.
-   A changed one replaces the version it was made from (`CAN'T HELP BUT PRAISE LM [Eb]` for a group called
-   `CAN'T HELP BUT PRAISE`), which is parked first as `zCAN'T HELP BUT PRAISE LM [Eb]`.
+   the group and its audio copied in. Every song is saved again every week, changed or not: it replaces the version
+   it was made from (`CAN'T HELP BUT PRAISE LM [Eb]` for a group called `CAN'T HELP BUT PRAISE`), which is parked
+   first as `zCAN'T HELP BUT PRAISE LM [Eb]` (`zz...` when that name is taken), so the old ones sort to the bottom.
+   START's details list each `SAVED` and `PARKED` folder.
 2. **A new set from the newest weekend set:** its songs, pads, Waves Tune cues and marker, guide, loop-guide and
   lighting clips go; the groups, the numbered locators (and their computer keys 1-9), the loop locators and the loop
   cues stay. Empty loop cues are dropped.