START: bright red guide, no transposing unpitched stems, consolidate + warp off in Live

Per the Location Setup worksheet (2026-10-26):
- a song saved twice holds two guides; START takes the bright red one (Live clip color 14), not the newer light pink one
- drums, percussion, aux drums and other unpitched stems are never transposed (by stem name; sub bass and FX are)
- every transposed clip is consolidated in Live (Edit > Consolidate) and its warp turned off, then the set is saved;
  a hold of START does it for this week's existing sets too. New AbletonOSC commands: clip, select_clip, set_clip
- the START key's CONSOLIDATE comes from the saved set (clips still transposed), not the last build's log

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>

README.md

@@ -166,7 +166,7 @@ everything on the page at once.
 | TRACKS OUT | every location in `"locations"` (AB, SC) has this weekend's project folder | copies NA's project to the locations that have none (as `261018 AB Project`, without `Backup/`). It is copied under a temporary name and renamed at the end, so a half-finished copy never looks sent. It never overwrites a folder that is already there and never runs by itself. |
 | PROP OUT | a `.probundle` is in this weekend's folder of the Chronicles share (`/Volumes/Location Assets/261025`, read on the ProPresenter Mac). **SHARE NOT MOUNTED**: the share itself is not mounted there (2026-10-22: it had dropped off and the key said NOT IN 261025 although the bundle was there). The ProP Mac keeps it mounted by itself: a LaunchAgent (`org.waterschurch.keep-mounted.location-assets`, from `remote-access/mac-keep-mounted.sh`) looks every minute and at login, mounts it again with the Chronicles login saved in the Keychain, and unmounts and remounts it when it hangs after sleep or a network drop (log: `~/Library/Logs/keep-mounted-location-assets.log` on the ProP Mac). | starts that agent now and waits for the share (about 6 s), then looks again. Also an auto-fix. |
 | RESI VOX | the Resi song (PCO description says RESI, else the last song before the message) goes to the locations with its lead singer's mic: the lead from the description ("Genesis lead"), their VOX from the lineup screen ("[VOX 4] MIX 4"; PCO team positions if the lineup has none), against what the Resi AJA's `5 - Lead Vocal` channel (21) really receives, read from the card with Dante's own query (UDP 4440, read only). **RESI V2 NOT VOX 4** (red). Two leads ("Mike and DJ lead"): the song's Audio note in PCO says whose mic goes out ("V3" or a name); without one it is flagged, never switched: **2 LEADS: MIKE DJ**. Also only flagged: **JOSH NOT ON LINEUP**, **LEAD ON VOX 5: NO BUTTON**. The lineup is what counts: a PCO Audio note naming another VOX is only mentioned in the details. | presses that VOX's AJA button (Companion page 13, row 3, col 1-4: AJA ch 21 <- BOH-AD4Q-A ch n), then reads the AJA back. Also an auto-fix (any time, never while a deck records: the READY page is not looked at then). |
-| START | every service Planning Center lists this week (this location's Sunday and every special service: First / Together Tuesday, Morning Worship, ...) has its Ableton set. **NO SET SUN 11/1** (red when due): hold START. While it builds the key shows what it is doing (**SAVING JEHOVAH**, **COPYING 40/120**). After a build, for a day: **CONSOLIDATE THE LORD IS** (a song transposed to its PCO key: consolidate it in Live), **NEW SONG GRACE** (not in Finished Songs: build it by hand, page 3 of the workflow PDF). See *START* below. | builds the missing sets (on the Tracks Mac, in the background). Never runs by itself. |
+| START | every service Planning Center lists this week (this location's Sunday and every special service: First / Together Tuesday, Morning Worship, ...) has its Ableton set. **NO SET SUN 11/1** (red when due): hold START. While it builds the key shows what it is doing (**SAVING JEHOVAH**, **COPYING 40/120**). **CONSOLIDATE THE LORD IS**: the saved set still has clips of that song transposed and not consolidated (read from the set file, so it goes once the set is saved consolidated). After a build, for a day: **NEW SONG GRACE** (not in Finished Songs: build it by hand, page 3 of the workflow PDF). See *START* below. | builds the missing sets (on the Tracks Mac, in the background), then consolidates every transposed clip in Live (step 9 below). Never runs by itself. |
 
 **Where the answers come from:**
 - **Planning Center:** ProdDash's own login on this Mac (`~/Library/Application Support/ProdDash/modules.json`, module `pco-plan`). The plan is today's, else the next one, which is the same plan the lineup TV picks.
@@ -178,7 +178,7 @@ everything on the page at once.
   listens for its answers on NA Ingest, so straight after each read NA Ingest asks it for the tempo and it answers
   Companion again.
 
-Nothing on the READY page writes to Companion, ProPresenter or an Ableton set file (START only writes new sets and Finished Songs folders). ROUTING and IN EARS' fix changes
+Nothing on the READY page writes to Companion, ProPresenter or an Ableton set file (START only writes new sets and Finished Songs folders, and consolidates in Live). ROUTING and IN EARS' fix changes
 only the open set in Live (outputs and send A), and only tracks whose name is still where it was a moment before.
 
 ### START: the week's Ableton sets (Monday)
@@ -207,12 +207,30 @@ other special service `Projects/NA/<date> NA <plan title> Project`.
 4. **Tempo map** and one **TEMPO** label clip per tempo (`128.00 BPM`). The tempo is the one the song's audio was
    cut at; a different PCO tempo is named in the log.
 5. **Waves Tune** key cue at every locator (minor keys use their relative major).
-6. **Each song from Finished Songs** at its locator, in its PCO key if that version exists, else the nearest key
-   transposed the PDF's way (warp on, Complex Pro, formants 0, transpose) and named on the key, because consolidating
-   is done in Live. Its markers, guide and lighting cues go onto `SECTIONS`, `+GUIDE` and `LIGHTING CUES`.
+6. **Each song from Finished Songs** at its locator, in its PCO key if that version exists, else the nearest key:
+   then its **pitched** stems are transposed the PDF's way (warp on, Complex Pro, formants 0, transpose). Drums,
+   percussion, aux drums and other unpitched stems are never transposed: by name, `DRUMS`, `PERC`, `SHAKER`,
+   `TAMBOURINE`, `CYMBALS`, `TOMS`, `CLAPS`, `KICK`/`HIT`/`IMPACT`/`BOOM` FX, a plain `LOOP`, clicks and guides
+   (`ready.start_unpitched` replaces the list). Sub bass, `FX`, risers, `TIMPANI` and `SYNTH`/`VOX LOOP` are pitched.
+   Its markers, guide and lighting cues go onto `SECTIONS`, `+GUIDE` and `LIGHTING CUES`. **The guide is the bright
+   red one** (Live's clip color 14): a song saved twice holds two guides, and the newer one is often light pink
+   (colors 0 / 28: ALLELUIA, COVERED BY THE BLOOD, FULL SURRENDER, GOODBYE YESTERDAY, PROMISED LAND, THANK GOD I'M
+   FREE, WHAT A GOD in October 2026). Two red ones: the newer red (`ready.start_guide_color`).
 7. **Pads**: the Call to Worship pad in the first song's key, an ending pad per song in its key, run past its loop,
    Salvation's.
 8. **Routing** per `ready.routing` and **send A at 0 dB** on every stem.
+9. **Consolidate, warp off** (in Live, `ready.start_consolidate`): the PDF's order is warp on, Complex Pro,
+   formants 0, transpose, **consolidate, warp off**. The first four are in the set file; for the last two the job opens
+   the set in Live (when another set is open, and never while Live plays; Live asks about unsaved changes itself, and
+   the job gives up after 3 minutes: **OPEN ... IN LIVE**, hold again), then for every clip still transposed: selects
+   it in the arrangement, clicks Edit › Consolidate (Live renders it with Complex Pro into
+   `Samples/Processed/Consolidate`), turns the new clip's warp off, and at the end clicks File › Save Live Set. An
+   unpitched clip found transposed (a set built before 2026-10-26) only goes back to 0 with warp off. A clip that is
+   not where the saved set has it (changed in Live since) is left and named. The key shows **CONSOLIDATING 12/49**;
+   ROUTING and IN EARS show START IN LIVE meanwhile (the job holds AbletonOSC's answers on the Tracks Mac), and once
+   it is done NA Ingest hands AbletonOSC back to Companion. A hold of START does this for this week's sets that are
+   already there too. Uses the status panel's AbletonOSC commands (`clip`, `select_clip`, `set_clip` in
+   `tools/abletonosc/statuspanel.py`).
 
 Every audio file is copied into the new project (as Collect All and Save does) with an `Ableton Project Info` folder
 (Live finds no audio without it: 2026-10-22). A set that is already there is never touched; a new one is built as