READY: LIGHT TIMING (flash and FX cues against the drum hits); auto-fix on for testing

- LIGHT TIMING: every blinder flash / FX cue is timed against the Drums (Live) stem under it
  (deactivated clips count) on the Tracks Mac; cues a strong hit is more than 25 ms away from are named
  with song and bar
- Settings Overview: "Auto-fix on for testing" for 15 min to 2 h, outside the hours and over a pause;
  the AUTO-FIX key says TESTING, and it goes back to the hours by itself

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>

README.md

@@ -69,7 +69,7 @@ Row 0 holds the group buttons. Each one shows the first problem in its group, pl
 
   It checks over SSH every 10 s that ProPresenter, Ableton and Church Translate are running, using NA Ingest's key `~/.ssh/id_status_panel`. That key was authorized on the Macs with `remote-access/mac-authorize.sh`.
 - **ALARMS:** alarms are armed all the time (`service_windows` in `config.json`: every day, 00:00–23:59). Press ALARMS to mute the blinking; press it again to turn them back on; they come back by themselves at midnight. Holds still fix while muted; the Sunday stream-audio failover still switches by itself. The settings page's Overview has the same switch. On a page with no AUTO-FIX key (NA today), ALARMS also stops every auto-fix and the key says both (`ALARMS OFF` / `AUTO-FIX OFF` / `TIL 12AM`).
-- **AUTO-FIX** (beside ALARMS; NA bottom-right; `kind: autofix`): its own switch since 2026-10-21. Shows `ON / TIL 9PM` in the auto-fix hours, `OFF / ON SUN 5AM` outside them, `PAUSED / TIL SUN 2PM` when paused. Tap: pause - through the hours it is in now, or through the next ones when tapped outside them (a Saturday-night tap keeps Sunday quiet); tap again: resume. With this key, ALARMS only silences. Holds always fix. From NA's LOCATION page a hold is the tap. The settings page has Pause / Resume auto-fix.
+- **AUTO-FIX** (beside ALARMS; NA bottom-right; `kind: autofix`): its own switch since 2026-10-21. Shows `ON / TIL 9PM` in the auto-fix hours, `OFF / ON SUN 5AM` outside them, `PAUSED / TIL SUN 2PM` when paused. Tap: pause - through the hours it is in now, or through the next ones when tapped outside them (a Saturday-night tap keeps Sunday quiet); tap again: resume. With this key, ALARMS only silences. Holds always fix. From NA's LOCATION page a hold is the tap. The settings page has Pause / Resume auto-fix, and **Auto-fix on for testing** (15 min to 2 h): auto-fix runs now, outside its hours and even when paused, the key says `TESTING / TIL 10:45AM`, and it goes back to the hours by itself when the time is up (**Stop testing** ends it early). The day's auto-fix log says when testing started.
 - **LIGHTS** (Southcoast; `kind: bypass`, `"bypass": {"peers": ["Lighting"], "hosts": ["", "sc_tracks_new"]}`): hold 2 s to hand the lights to a lighting operator. Every network MIDI link to Lighting (ProPresenter's session, Tracks' session, and Companion's 56 Midi-Lighting buttons, which go out through ProPresenter's session) is taken out, the MIDI checks stop calling it lost and auto-fix stops putting it back; the key says `LIGHTS / OPERATOR / MIDI OFF` (steady blue). A link that comes back while the operator has it is taken out again within 10 s. Hold again: everything taken out is put back as it was, and every watched link to Lighting is reconnected (`LIGHTS / AUTO`). A peer that had called in (no address, ":5004") is not called back: it rejoins when Lighting calls again. Survives a restart; a hold from NA's LOCATION page works too. `"conns"` can also switch Companion connections off for the operator.
 
 ## Auto-fix on Sundays (06:30–13:30)
@@ -129,7 +129,7 @@ HyperDeck is recording). **STATUS PAGE** (bottom left) goes back.
 |        | col 1 | col 2 | col 3 | col 4 | col 5 | col 6 | col 7 |
 |--------|-------|-------|-------|-------|-------|-------|-------|
 | row 0 (Ableton) | TRACKS | FOH MIX | BOH MIX (tap) | LIGHTS | MIDI | SONG KEYS | W TUNE |
-| row 1 (ProP / Resolume) | PROP | TIMECODE | BKGDS | LED CROSS | | | |
+| row 1 (ProP / Resolume) | PROP | TIMECODE | BKGDS | LED CROSS | LIGHT TIMING | | |
 | row 2 (backstage) | LINEUP TV | ROUTING | IN EARS | | | | |
 | row 3 (outgoing) | TRACKS OUT | PROP OUT | | | | | READY |
 
@@ -151,6 +151,7 @@ everything on the page at once.
 | TRACKS | this weekend's set exists (`Ableton/Projects/NA/261018 NA Project`), it has a song group for every PCO song, and Live last opened it ("LIVE HAS OLD SET") | looks again |
 | FOH MIX | **NOT MIXED** (amber): every track of a song is still at 0 dB. **TO MASTER**: a stem goes to Master instead of out to the console | looks again |
 | LIGHTS | the `LIGHTING CUES` track has a clip under every song | looks again |
+| LIGHT TIMING | every blinder flash and FX cue (notes 30-39 on `LIGHTING CUES`: Blinder Flash 1-3, Blinder FX 1-5, named from `Ableton/LIGHTING CUES MIDI`) lands on the hit in the `Drums (Live)` stem under it, even when that clip is deactivated because the drummer plays live. Each cue's moment in the stem comes from the tempo map; the Tracks Mac listens around it (less than half a 16th note either way) for the strongest hit. **3 CUES OFF** (amber): a strong hit more than 25 ms before or after the cue while the cue itself sits on a quiet spot; the details say `JEHOVAH bar 329.2.1: Blinder Flash 2 is 37 ms before the hit` (bars as Live shows them, 4/4). Listened to once per saved set. | looks again (move the note in Live by hand: Live's control script cannot edit notes in the arrangement) |
 | SONG KEYS | every song is in the key PCO gives it: the set's locator for it (`3- JEHOVAH - B`), the pad clip under it on `AMBIENT PADS` (`B - WARM - CHURCHFRONT PADS`) and a `Finished Songs` / `Finished Custom Songs` folder (`JEHOVAH [B]`). Eb and D# are the same key. **JEHOVAH B NOT Db** (red): the locator is in another key. **JEHOVAH PAD D NOT B** (red): the wrong pad. **JEHOVAH ONLY Db** (amber): Finished Songs has the song, but not in this key (save the new version there). A song that is not in Finished Songs at all is only noted. | looks again |
 | W TUNE | the `WAVES TUNE` clip that starts each song (a clip from `Ableton/Waves Tune - midi Program Change`, sent to Waves Tune as a program change) is the song's PCO key; a minor song is fine on its relative major. **JEHOVAH TUNE Db** names the song; the details say which clip to put at which bar. **TUNE PGM**: a renamed clip that sends another key's program. | looks again (Live's control script cannot change a clip in the arrangement: swap the clip by hand) |
 | ROUTING | read **live** from Ableton (AbletonOSC, so tracks just dragged in count before the set is saved): every stem goes where `ready.routing` says (Piano, Keys, Organ → `Ext. Out 5/6 Keys`; AG, EG, Bass → `7/8 GTRS`; Drums, Perc, FX, Synth Bass → `9/10 PERC / FX`; BGVS, Choir, Vox FX → `11/12 VOX`). The table was taken from 261025 NA Project and is edited on the settings page; "EG 13" goes where every other EG goes. **PIANO TO MASTER** (red) names the stem; **NEW STEM BANJO** (amber): a stem name the table does not know. | puts every stem back where the table says (and IN EARS' sends to 0 dB). Runs by itself in the auto-fix hours. |