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LIGHT TIMING: the real offset up to a full 16th, no flag on a cue already on a solid hit, hold moves the cues

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- Detection in 2.5 ms steps; where a hit starts is halfway up its rise; each song's cues on solid hits
  set its "on time"; a cue already on a solid hit is never named; "about a 16th" when it is
- Hold: moves the off cues onto their hit in the open set through a status panel command added to
  AbletonOSC (tools/abletonosc), keeping each cue's end; the key asks for a save until the set is saved

Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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christian
2026-10-22 10:31:33 -04:00
co-authored by Claude Opus 5.5
parent d4e4092a9d
commit 625d424bda
8 changed files with 268 additions and 51 deletions
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README.md
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@@ -129,7 +129,7 @@ HyperDeck is recording). **STATUS PAGE** (bottom left) goes back.
| | col 1 | col 2 | col 3 | col 4 | col 5 | col 6 | col 7 |
|--------|-------|-------|-------|-------|-------|-------|-------|
| row 0 (Ableton) | TRACKS | FOH MIX | BOH MIX (tap) | LIGHTS | MIDI | SONG KEYS | W TUNE |
| row 1 (ProP / Resolume) | PROP | TIMECODE | BKGDS | LED CROSS | LIGHT TIMING | | |
| row 1 (ProP / Resolume) | PROP | TIMECODE | BKGDS | LED CROSS | LIGHT TIMING | every blinder flash and FX cue (notes 30-39 on `LIGHTING CUES`: Blinder Flash 1-3, Blinder FX 1-5, named from `Ableton/LIGHTING CUES MIDI`) lands on the hit in the `Drums (Live)` stem under it, even when that clip is deactivated because the drummer plays live. Each cue's moment in the stem comes from the tempo map; the Tracks Mac listens in 2.5 ms steps out to almost a 16th either way, finds the strongest hit and where it starts (halfway up its rise). Each song's cues that sit on solid hits set what "on time" is for that song (its stem's hits start 7-12 ms after the grid). **14 CUES OFF** (amber): a strong hit more than 25 ms from the cue while the cue sits on a quiet spot; a cue already on a solid hit (a double hit follows) is never named. The details say `JEHOVAH bar 405.3.2: Blinder Flash 2 is 145 ms after the hit (about a 16th)` (bars as Live shows them, 4/4). Listened to once per saved set. | moves every cue that is off onto its hit in the open set (all flash/FX notes on that 16th; onto the 16th grid when the hit is within 10 ms of it), keeping where each cue ends. The key then says **SAVE SET (n MOVED)** until the set is saved; Cmd+Z in Live takes a move back. Never runs by itself. Uses the status panel's command in AbletonOSC (`tools/abletonosc`: `statuspanel.py` plus a hook at the end of AbletonOSC's `abletonosc/__init__.py`; an AbletonOSC update removes it, so run `tools/abletonosc/install.sh` again, then restart Companion's `ableton` connection) |
| row 2 (backstage) | LINEUP TV | ROUTING | IN EARS | | | | |
| row 3 (outgoing) | TRACKS OUT | PROP OUT | | | | | READY |